The angry are better off. The weak and frightened cling to me. To see the soft weeping, the gratitude for my listening and understanding ear does move me. They don’t see it coming, the price they pay for believing without faith but rather naiveté. It is just the right type of absorption I need that keeps me craving but not without pity for the terror that at the end I see in all.
I regret none of my interactions with those of whom I have shared the gloom of tombs, dark empty spaces, sounds of voices from beyond the grave and the sudden awareness of being two in the room. Ghosts are subtle, and after years of exposing their secret places, I must conclude they are nothing to encourage, nothing to hope for and nothing for the living to live pursuing.
I see the young writers making heroes of those that exist beyond the grave. The more modern and exalted flimflam showmen flutter to the call that the dead have some vague romantic goal to reunite with the ones they love. The dead are just that, and if there is any ambition, it is to have more join them in the aching spiritual icebox they inhabit.
So, there we have the dead but it is the living that is the greatest heartache of all. They become involved in seeking their fairytale within the realms of the supernatural; especially those who crave touch and forgetfulness most of all.
I met a young man once, his eyes a deep, dark, blue who became angry with me at the end of his story. He was the hero, the gallant who would save his beloved from the shadowlands of death. Too there was the young girl with deep black eyes who thinks to this day that I bewitched her in some way. These escape my attempt at the soft sound of reason and comfort I try to convey.
It’s obvious to me that those who crave the unknown to quash the loneliness of existence live shallow little lives and those who have seen something they cannot explain wish for memories of the urbane but one-dimensional type in an attempt to reclaim their lonely little lives. Such quests never end well.
Corner of the eye movements. Reversals. Pictures that fly not drop from the walls. Anger. Fear. Sleeplessness. Tears. Some will escape, others will confide in me, especially after an alcoholic drink.
I draw large crowds, you know, of all sorts. I am not bragging, just well known. I am surrounded by actors and directors and glamorous dancers of every type. Inevitably someone will ask me if I believe in ghosts because, they will say, I certainly write as if I do. What is interesting or perhaps comforting is that the beautiful crowd reacts the same as those within the supermarket or the brown shoe beauties I meet in some obscure bookstore signing that I adore. Their eyes become large and luminous but after the hubbub of my first ‘yes,’ I follow those who walk away upset.
These I know are the failures who overstepped a living person’s boundary and challenged the notion of making good evil and a fatal habit of thinking evil good. These struggle less when my eyes turn red and explain that justice has nothing to do with me and getting away with my appetite falls at the feet of their determination to see the best in me.